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Iannis Xenakis in his studio in Paris, c. 1970 Iannis Xenakis (: Γιάννης (Ιάννης) Ξενάκης; 29 May 1922 – 4 February 2001) was a Romanian-born, Greek-French composer, architect, and engineer.

Find Iannis Xenakis biography and history on AllMusic - Iannis Xenakis was a composer of Greek heritage.

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Dod Infosec Policy. After 1947, he fled Greece, becoming a naturalized. He is considered an important post- composer whose works helped revolutionize. [ ] Xenakis pioneered the use of mathematical models in music such as applications of, and and was also an important influence on the development of and. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as (1975) and (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's system; and the massive multimedia performances Xenakis called polytopes.

Among the numerous theoretical writings he authored, the book (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under: the, on which the two architects collaborated, and the at, which Xenakis designed by himself. Contents • • • • • • • • • • Life [ ] 1922–47: Early years [ ] Xenakis was born in,.

He was the eldest son of Klearchos Xenakis, a Greek businessman from, and Fotini Pavlou from. His parents were both interested in music, and it was Fotini who introduced the young Xenakis to music. Her early death, when Xenakis was five years old, was a traumatic experience that, in his own words, 'deeply scarred' the future composer. He was subsequently educated by a series of, and then, in 1932, sent to a on the Aegean island of, Greece.

He sang in the school's boys' choir, where the repertoire included works by, and 's, which Xenakis memorized in its entirety. It was also at the Spetsai school that Xenakis studied and, and became enamoured with Greek traditional and sacred music. In 1938, after graduating from the Spetsai school, Xenakis moved to to prepare for entrance exams at the.

Although he intended to study architecture and engineering, he also took lessons in and with. In 1940 he successfully passed the exams, but his studies were cut short by the, which began with the Italian invasion on 28 October 1940. Although Greece eventually won the war, it was not long before the German army joined the Italians in the, in April 1941.

This led to the, which lasted until late 1944, when the Allies began their drive across Europe, forcing the Axis forces to withdraw. Xenakis joined the early during the war, participating in mass protests and demonstrations, and later becoming part of armed resistance—this last step was a painful experience Xenakis refused to discuss until much later in life.

Aroura is a composition for strings by Greek/French composer Iannis Xenakis. It was composed in 1971.

Composition[edit]

The title of this composition should be translated as 'Earth'.^[1] It was first performed on 24 August 1971, at the Lucerne Festival. It was premiered by Rudolf Baumgartner with the festival's Lucerne Festival Strings. It was published shortly after by Éditions Salabert.^[2]

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Structure[edit]

The piece is in only one movement and takes around 12 minutes to perform. It is scored for four first violins, three second violins, two violas, two cellos and one double bass, even though it is clarified by Xenakis that it can also be performed by a larger string orchestra or ensemble. Aroura makes an extensive use of glissandos, jagged chords, sound clusters and other techniques exploited in avant-garde movements.^[1]

The piece has a tempo of 𝅗𝅥 = 60 (which means two beats per second). The register of the piece ranges from a C1 (played by the double bass) to D8, played by one of the first violins. First and second violins rarely play unison, but each of the violinist has their own line. Xenakis uses graphic notation up to six times in the score, the first one being the opening of the composition.^[3]

Recordings[edit]

• In November 29, 1975, Elgar Howarth with the New Philharmonia Orchestra recorded the piece in Kingsway Hall, in London. The recording was released by Decca^[4] and Explore Records.^[5]
• In 2005, Johannes Kalitzke conducting the Ensemble Resonanz [de] recorded the piece for Mode Records.^[6]
• In October 2010, Tammin Julian Lee conducting the Solistenensemble Kaleidoskop released a recording of the piece under Ars Produktion. The recording took place in the Jesus-Christus-Kirche, Dehlem [de] in Berlin.^[7]

References[edit]

1. ^ ^abSimeone, Nigel (2013). Iannis Xenakis - Synaphaï (Liner Notes of Decca 478 5430). London: Decca Music Group Limited. p. 4.
2. ^'Aroura'. iannis-xenakis.com. Les Amis de Xenakis. Retrieved 21 March 2015.
3. ^Meza Ramírez, Sinuhé Fernando (June 23, 2013). “Aroura” – Iannis Xenakis Graficación y Análisis. Morelia: Universidad Michoacana de San Nicolás de Hidalgo. pp. 2–6.
4. ^'Xenakis: Synaphaï Aroura, for string ensemble'. allmusic.com. Rovi Corporation. Retrieved 21 March 2015.
5. ^'Xenakis: Synaphai; Aroura; Antikhthon Aroura, for string ensemble'. allmusic.com. Rovi Corporation. Retrieved 21 March 2015.
6. ^'Xenakis: Music for Strings Aroura, for string ensemble'. allmusic.com. Rovi Corporation. Retrieved 21 March 2015.
7. ^'Hello I'm Solistenensemble Kaleidoskop Aroura, for string ensemble'. allmusic.com. Rovi Corporation. Retrieved 21 March 2015.